A prison warden recruits inmates to commit outrageous crimes that shed light on corruption and injustice - and that lead him to an unexpected reunion.
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Jawan, a 2023 Hindi action film directed by Atlee, marks his Bollywood debut. Produced by Red Chillies Entertainment, the film features Shah Rukh Khan in a dual role alongside Nayanthara, Vijay Sethupathi, Priyamani, and Sanya Malhotra, with Deepika Padukone making a special appearance. The narrative centers on a woman's prison jailer who recruits inmates to expose widespread corruption within India. Principal photography, spanning locations including Pune, Mumbai, and Chennai, concluded in 2023. Anirudh Ravichander composed the music, G. K. Vishnu handled cinematography, and Ruben edited the film. Post-production delays led to a postponement of the initial June 2023 release date; Jawan ultimately premiered on September 7, 2023, coinciding with Janmashtami. Critical reception was overwhelmingly positive, praising the performances, direction, script, action sequences, and music. The film shattered box office records, surpassing even Khan's previous blockbuster, Pathaan. Grossing over US$130 million, it stands as the highest-grossing Indian film of 2023 and the second highest-grossing Hindi film. The film's success is further reflected in its 14 nominations at the 69th Filmfare Awards, including Best Film and Best Director.
Combining the in-your-face maximalism of director Atlee, and the come-get-me grizzled slit-eyed sexiness of star Shah Rukh Khan, Jawan is a pop-masala banger: iss kahani mein action hai, emotion hai, hero hai, villain hai, aur naach-gaana hai, aur kya chahiye? Actually, there is more: fashioned as an unabashed massy entertainer, Jawan slips in strong political messaging at every opportunity, making it a film which is very much of the moment.
Anyone familiar with the previous smash-hits of Atlee, who understudied with Shankar, will know how much he loves going big, and giving us family dramas doused in sentiment. ‘Jawan’ has two SRKs for the price of one, separated by thirty years in time, but united in single-minded Mera-Bharat-Mahaan patriotism: the older one is an army man called Vikram Rathore who, after displaying exemplary valour in the face of certain death, bides his time in the shadows; the younger, who goes by the name of Azad, is a Robin Hood type with a thing for disguise, whose main job is to rob the rich to help the poor.
To this end, ‘Jawan’ has a veritable list of those hapless Indians that the ‘system’ has trampled upon: poverty-stricken farmers who commit suicide, the sick who die in badly-run government hospitals, the soldiers who lose their lives because of faulty guns -- the citizens who are powerless and helpless because those in power are corrupt and venal. There’s nothing new in the conflict that the story sets up; we’ve seen variations of it, and the vigilante-forced-into-taking-on-the-bad-guys in scores of movies. What lifts ‘Jawan’s pushback against the ‘system’ is the cockiness, and knowingness with which it goes about the whole: Azad’s collaborators are a bunch of young women (Priyamani, Sanya Malhotra, among others) who help him pull off a series of wholly-improbable-but-enjoyable heists. Their presence gives the plot an excuse to turn the screen over to girl-power, and for SRK to drawl (reminding you a bit of Vijay in Atlee’s previous ‘Bigil’, in which he plays coach to an all-girl football team): are you ready, girls? It’s also a fun throwback to one of SRK’s most beloved films, ‘Chak De, India’. My first-day-first-day show erupted in hoots and cheers.
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