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Waman Kendre will enter the record books with his first play in eight years,an adaptation of Bhasas Madhyam Vyayog
When Professor Waman Kendres latest directorial venture opens on July 3 at the National Centre for Performing Arts,it will create a record. Never before has the same play opened in three languages on the same day,performed by the same cast and organised by the same crew. And yet,all of this happened just by chance. I never decided to do the play in three languages, says Kendre. One day,I just improvised upon the idea of doing the play in Marathi,and then decided to do it in English and Hindi,too.
The play in question is Madhyam Vyayog,originally a Sanskrit script written by Bhasa,who is believed to be one of the greatest Sanskrit playwrights. Incidentally,this is also the first Sanskrit-style play Kendre has worked on. Why,then,did he choose it? This is a rich and strong theatre tradition,but it has now become a dying form and is inaccessible to the masses, he explains. This play will mark Kendres return to theatre after a break of eight years. The play is called Priya Bawari in Marathi,Mohe Piya in Hindi and O My Love in English.
Performed from the point of view of Hidimba,a strong and revolutionary woman from the Mahabharata,the play tells her story alongside that of her son,Ghatotkacha,and her husband,Bhima. As the story goes,Bhima and Hidimba were attracted to each other,and Hidimba wished to marry him. She persuaded Bhimas mother to allow them to marry,and they reached an agreement which stated that once Hidimba was pregnant with Bhimas son,he would be free to leave. Many years later,the two are reunited after their son,Ghatotkacha,fetches Bhima as a sacrifice for his mother to break her fast with. The son,however,initially refuses to accept this man as his father,angered and hurt by the fact that he wasnt there while he was growing up. Ultimately,after a great deal of persuasion,Ghatotkacha gives in,and the three become a family again.
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