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This is an archive article published on April 18, 2012

When Objects Express

After learning the ropes of Object Theatre,Choiti Ghosh shares its joys with her second play and workshops this summer.

The opening credit of Nostos — a short film by Mumbai-based Tram Theatre group posted on YouTube — calls it a performance “with actors,miniature objects and toys”. For those who have not attended its theatrical shows in Mumbai and Delhi,these words succinctly describe the nature of this production based on Object Theatre,a largely European phenomena that is slowly finding patrons in India. Nostos also gives Choiti Ghosh,who can claim to be the first official Object Theatre practitioner of the country,an “epic” start.

Soon after her month-long workshop on this theatre form at Institut International de la Marionnette,France,in 2011,she was asked by the then-director of Prithvi Theatre,Sanjna Kapoor,to present a piece at their annual carnival. Ghosh agreed and found herself revisiting Homer’s The Odyssey,which had fascinated her since college days. The result was a 40-minute-long piece,Nostos — which means homecoming in Greek. It was the actor-puppeteer’s take on the story of Greek hero Odysseus’ 10-year-long journey home after spending as many years fighting in the Trojan war.

Ghosh’s introduction to this form of theatre was fleeting. “During certain discussions at Katkatha Puppets Arts Trust,founded by Anurupa Roy,I came across this term and was intrigued by it,” says the actor,who has been working with Roy since 2004.

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When she came to know about the summer workshop on it in France for mid-career theatre puppetry professional,she applied immediately. Of the 15 selected theatre practitioners,she was among the few who were not from Europe and had very little exposure to this art.

Once she was back in Mumbai,her theatre friends prodded her to conduct workshops and share her experience. As is the case with most theatre activities,the small living room in Ghosh’s Andheri home became the space for these workshops. “Some became regulars and even collaborated in developing related theatrical works. Theatre actors such as Ratnabali Bhattacharjee and Kshipra Jain came forward to make Nostos. Other enthusiasts,such as actors Puja Sarup and Faezeh Jalali,too,worked closely with us,” says Ghosh.

Accordingly to Bhattacharjee,theatre actors are often looking for newer ways to express creatively. “Object Theatre expands the range of an actor. It challenges an actor to breathe life into an inanimate object and bring out its character. This requires a lot of work,” she says,adding that she enjoys the way it pushes her creative boundary.

Roy believes that India is ready for new things. “Our audiences have been exposed to many new forms over the years. Credit goes to the Ishara International Puppet Festival,which has completed 10 years and has been bringing the international puppet scene to India,thus making Indian audiences broaden their horizons,” says the Katkatha founder. She is happy that Ghosh is trying to find a definition for Object Theatre which is Indian and her own. “This struggle is leading to wonderful innovations,” Roy adds. Tram Theatre’s next play,A Bird’s Eye View,can vouch for that. In this,Ghosh gives a view of the conflict-ridden world through a war carrier pigeon’s eyes. This non-verbal performance will take place in Delhi on April 19 and 20 before travelling to Mumbai,where she will conduct workshops for children in May.

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