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Filmmaker Vivek Agnihotri has long been vocal about what he describes as the deep-rooted star-driven nature of Bollywood, where even directors and writers are forced to compromise their creative vision to serve the egos of major actors. In a recent recollection, Agnihotri opened up about the making of Dhan Dhana Dhan Goal, a film that, he says, exemplifies how a director’s fate becomes tethered to the stardom of the film’s lead. Originally, actor Saif Ali Khan was supposed to headline Goal, but when that didn’t materialize, the project eventually went to John Abraham. Agnihotri recalls how Abraham sent him a rather assertive message via producer Vikramaditya Motwane:
“Vikramaditya Motwane ke through yeh message bhejwaya ki, ‘Main footballer hoon. Agar main nahi honga toh iss film mein kaun hoga? Main champion footballer hoon… Khair woh alag kissa hai, usmein nahi jaunga… vyaktigat baat nahi karunga.’” (He sent a message through Vikramaditya Motwane saying, ‘I’m the footballer. If I’m not in this film, who else will be? I’m a champion footballer… Anyway, that’s another story, I won’t go into it… I don’t want to make it personal.’) Around the same time, Chak De! India, another sports drama, was released. Agnihotri recalls a conversation with a senior filmmaker who offered a blunt commentary on the dynamics of star power in the industry.
The implication was clear: box office success was determined less by story or direction, and more by who starred in the film. Agnihotri, disillusioned by the conversation, asked the filmmaker, “Toh matlab humara kuch nahi hai?” (So, you mean we [the filmmakers] don’t matter at all?) The reply came, “Haan, tumhara kuch nahi hai.” (Yes, you don’t matter.) “That’s why I quit Bollywood,” Agnihotri said. “Phir maine apne hisaab ki independent films banani shuru ki.” (Then I started making independent films on my own terms.)
Agnihotri has previously spoken about his difficult experience working on Goal, especially regarding creative clashes with co-writer Anurag Kashyap and friction with John Abraham. He noted that Kashyap, a known heavy drinker at the time, was difficult to manage on set, and their creative visions for the film diverged significantly.
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