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‘Bitter and stupid’: Hansal Mehta, Kangana Ranaut trade barbs over Kunal Kamra crackdown

Hansal Mehta, who has come out in Kunal Kamra's support, was challenged by a social media user who asked why he had remained silent when Kangana Ranaut’s office was demolished.

KanganaThe board clarified that the Mandi MP was also availing of the electricity subsidy provided by the Himachal Pradesh government. (Source: PTI Photo/Ravi Choudhary)

Filmmaker Hansal Mehta and actor-politician Kangana Ranaut locked horns online on Tuesday over the action against stand-up comic Kunal Kamra, whose jokes targeting Maharashtra Deputy Chief Minister Eknath Shinde have sparked a controversy. The online spat comes amid the civic authorities’ crackdown on the Mumbai studio where Kamra performed. While BMC officials cite building regulation violations, critics draw comparisons with the demolition of Ranaut’s office during the Uddhav Thackeray government in 2020.

‘Was her house vandalised?’ Mehta questions comparisons

Mehta, who has come out in Kamra’s support, was challenged by a social media user who asked why he had remained silent when Ranaut’s office was demolished. Responding, he asked: “Was her house vandalised? Did goons enter her premises? Did they do this to challenge her freedom of expression or for alleged FSI violations? Please enlighten me.”

Kangana Ranaut hits back

Ranaut did not hold back, recounting a similar ordeal she faced in 2020: “They called me names, threatened me, served a notice late at night, and bulldozed my house before courts could open. The High Court later ruled the demolition illegal.” She then launched a personal attack on Mehta, calling his work “third class” and accusing him of peddling “dumb lies and agendas.”

Mehta, whose filmography includes critically acclaimed works such as Shahid, Aligarh, and the web series Scam 1992, kept his response brief: “Get well soon.”

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Ranaut, who is now a BJP MP from Mandi in Himachal, later criticised Kunal Kamra’s jokes, accusing him of mocking Shinde’s humble background. While she admitted the demolition of her property was “illegal,” she argued the current action against Kamra was justified under the law. The BJP and Shiv Sena-NCP, at present, are part of the ruling alliance in Maharashtra.

Throwback to Ranaut versus Uddhav Thackeray

Ranaut’s feud with the Shiv Sena (UBT) leader Uddhav Thackeray dates back to 2020, when she compared Mumbai to Pakistan-occupied Kashmir (PoK), sparking a backlash from the then-ruling party. The controversy escalated when the Brihanmumbai Municipal Corporation (BMC), controlled by Shiv Sena, demolished parts of her office in Bandra, citing illegal alterations.

After the Union government provided her Y+ security, Ranaut arrived in Mumbai from Himachal Pradesh, lashing out at then-Chief Minister in a video message: ““Uddhav Thackeray tujhe kya lagta hai? (what do you think?) My home was demolished today, your arrogance will crumble tomorrow. Thus is the wheel of time, it keeps changing.”

However, this time around Thackeray has defended Kamra, asserting that the comedian had done nothing wrong. “Kamra merely expressed his views. He stated the facts and voiced the public opinion,” he said.

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Mehta on brush with political vandalism

In a separate post, Mehta revealed his own experience of political intimidation in Maharashtra, dating back 25 years. “Loyalists of the same political party stormed my office, vandalised it, blackened my face, and forced me to apologise publicly—for a single line in my film. It bruised my spirit and silenced parts of me for years,” he wrote. He condemned all forms of violence and suppression of dissent, calling for dialogue and dignity.

Old feud resurfaces

The online spat between Mehta and Ranaut is the latest chapter in their long-running feud. The two had a public fallout after working together on Simran in 2017. The film, which failed to impress both critics and audiences, was marred by creative differences. In a 2022 interview, Mehta called working with Ranaut a “massive mistake.”

“She is a very talented actor, but we didn’t get along. She ended up shooting what she wanted, leaving no room for creative collaboration,” he said. He also remarked that Ranaut had “limited herself” by choosing roles that primarily serve her own self-image.

The Scam 1992 director recalled that by the time the film reached the editing stage, there was nothing left to take over because “the material was exactly what she had shot.”

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