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This is an archive article published on December 18, 1997

"Arafat is not a man of vision"

There is a courage that marks Edward W. Said, 62. His long and intractable battle for the Palestinian cause invited all manner of verbal an...

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There is a courage that marks Edward W. Said, 62. His long and intractable battle for the Palestinian cause invited all manner of verbal and written attack, including assassination threats. For close to seven years now, he has also lived with the knowledge that he has leukaemia. But he carries on, nevertheless. The author of several works, including Orientalism, After the Last Sky and Culture and Imperialism, is today employed in the life-affirming project of writing a full-length memoir of his early days.

  • Why did it take you so long to come to India?
  • It’s a crime. It’s a crime. I spend a lot of my life reading and writing about India, and it seemed very far away. There were opportunities of course, but at the last minute something always came up — silly things. Then I got ill about seven years ago and it led to worries about travelling. But now that I have come, I have been completely won over by the tremendous wealth of diversity that I have seen.

  • You have described yourself as an Arab with a western education. How has this shaped the way you perceived the world?
  • I have always felt myself to be an Arab of mixed cultures. My education was European, Western primarily, but my culture is Islamic. As a child, I was always in schools that were very mixed — full of Jews, Muslims, Armenians, Greeks, and so on. So I think that since that time there has been a very disappointing tendency towards fragmentation and a kind of local nationalism where Syria is for the Syrians, and Jordan is for the Jordanians and Palestine is for Palestinians, and I hate that.

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    Then, I am also a citizen of the United States. My education was there, all my professional life has been there, and there I feel completely at home. But I always retained a double perspective, that of an American, who is a dissenter and that of an Arab. Identity, as such, doesn’t interest me at all, because I think one is made up of many identities.

    I have been really in exile all my life since I was 12, when we left Palestine. And you can be miserable that way. But after a while you can feel partly at home everywhere.

  • But in your work, Orientalism, you did seem to make race the defining identity.
  • If you look at the very last pages of the book, I pose the question: is there a human way of looking at the world through labels like race, Orient, Occident, Black, White, and still survive? And the answer to that is no. I think it is dehumanising to try to understand people just as symbols of one sort or the other. Of course, race is there, nobody will deny that.

  • What was it like to re-visit Palestine in 1992, after 45 years?
  • Well, it was very emotional obviously. There were certain things I realised I couldn’t break through. For instance, when we went to see my family home, where I was born, we stood outside. The house was virtually unchanged. I remember the trees in the garden — we had a palm and an orange tree — it was a lovely garden. I showed my children where my room was, where I was born, where we used to play. But then when my daughter said to me would you like to go in, I said no. I have never been able to enter.

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    Then, it was interesting to discover how much I remembered, I was only 12 when we left. I remembered places, the school I went to, the church where I was baptised and where my family used to worship — St George’s Cathedral in East Jerusalem — and then various villages and towns. What impressed me was the total transformation. I mean Tiberius, which is a town on the Sea of Galilee, which was mostly an Arab town, doesn’t have a single Arab now.The final impression that hit me was that every empty space inside Israel was surrounded by barbed wire. You get the impression of a country that is under siege, I mean swimming pools, schools, playgrounds, all surrounded by barbed wire. And I wondered, was it worth it to do all this?

  • Why is it that you predict a dark future for Palestine? Is the situation so hopeless?
  • I think we probably have the hardest fight of all before us. We have no strategic allies. The Arab countries around us are very, very shifty. A country that might support you at one time may a week later massacre your people, as happened in Syria. Same with Jordan. Same with Egypt. I am not saying that they have all massacred us, but they can turn on and turn off.

    So we have no steady support in the region. Second, the alliances we built no longer exist. Third, we are fighting Israel — you couldn’t find a worst enemy, because they are the people who went through every kind of tribulation, they have an instinct for survival that is ruthless. Fourth — the most important — Israel has the support of the United States.

    As against that, we are about 7 million. Our greatest enemy is geographical dispersion, we don’t have a base. Unlike the South Africans, or the Vietnamese. We have also not been blessed with good leaders. Yasser Arafat, with whom I was very close for a long time, is a genius at survival. But although at a certain point of history he did manage to unite the people, he is not a man of vision. He is not like Nelson Mandela, who through his years in jail held on to the principle of one person, one vote. Arafat hasn’t provided the kind of moral leadership that we need. The last straw was the Oslo negotiations. After it was done, he lied and said that we had won, and that it was the peace of the brave.

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  • While you have been sensitive to the anti-Islamic slant of Western media, you have defended Salman Rushdie’s work. Isn’t this a contradiction?
  • The only work in which Rushdie looks at Islam is The Satanic Verses. Second, I feel that nothing should come in the way of the right of an author to express himself. Third, there is a tradition within every major world religion, including Islam, of this sort of fun, play, mockery, you can call it blasphemy, you can call it — like I do — irreverence. You could call it comic overstatement. I knew Rushdie before he wrote this book, I knew him from the time he wrote Midnight’s Children. He was always the champion of the non-White, he always took the right side. His record is so unblemished. Lastly, I think the trouble with most of the people who attacked him see the book as a doctrinal statement. It isn’t. It’s a novel, and as a novel it can do certain things that doctrinal statements cannot do.

  • Would you say then that there is a great humanist legacy that the world can lay claim to. You’ve quoted C.L.R. James, saying that Beethoven belongs as much to West Indians as he does to Germans.
  • Absolutely. I have no interest in the cultures of appropriation or a proprietory view of culture, which says that this is my culture, and that isn’t. The most exciting thing to me as a writer is to discover new books, new writers, the new is the value of the time. This year, for instance, I found two books outstanding. Philip Roth’s American Pastoral, and the Irish writer John Banville’s The Untouchable, an account of the Anthony Blunt story.

  • You’ve chosen New York as your base and have called it an exilic city.
  • I like New York. It is the least American, most cosmopolitan city in the USA. I couldn’t live anywhere else. Also, I also have a very fruitful and rich relationship with my university — Columbia — for 35 years. It is the only job I have ever done. Secondly, I am quite ill and I have a very excellent doctor — an Indian, incidentally.

  • Has your illness made a difference to your life?
  • I have become more productive. I don’t know if that is the right word, but certainly I have produced more things.

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  • Is there an emotional edge to this?
  • I think I have won. It’s a battle. With an ailment like leukaemia, when you hear the word for the first time it is difficult. It took me a few months to get over that. But it is a matter of discipline. You have to die anyway. Before you go under, you might as well live in the best way you can.

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